When it comes to the world of music production, few are as commercially varied — and as forthcoming with inspiration —as Ramon Ibanga Jr., better known as Illmind. With a catalogue of songs that traverses artists like Grand Agent, Supastition and El Da Sensei, to JAY-Z, Drake and even the Moana soundtrack (he produced “You’re Welcome”), not many producers can lay claim to his steady ascent into the upper echelon of the producer world.
MC Serch, formerly one half of the group 3rd Bass, recently stopped by VladTV’s studio to chat about a plethora of topics, including helping Nas get his deal. One story in particular though raised a few eyebrows; not so much for its intricacy, but more so for its historical inaccuracy.
hen it comes to career longevity without selling out the original vision — and ultimately the core integrity — of your brand, no OG rappers have managed to continue rocking shit the way that way Sadat X (a third of Brand Nubian) and El Da Sensei of The Artifacts have. Longtime fixtures on the European scene, the two have been peers for years, but it wasn’t until three years ago that the two decided to bless longtime fans and deep-rooted Hip Hop heads with a joint LP titled XL.
Producers from around the globe converged on Toronto from November 7 to 11 for the 13th annual Battle of the Beatmakers — a competition that has helped launch the careers of producers such as diamond-selling producer Boi-1da and multiple platinum-selling producer WondaGurl. After two days of primaries, the top 64 faced off in an exciting showdown at the Opera House, hosted by comedian Trixx, on November 10.
EverythingOShauN Wants Success on His Own Terms, and in His Home Country, on ‘Everything Over Everything Else’
Regardless of where your musical tastes lie, you’re likely to find an artist to satisfy your needs in the booming local Toronto scene. Thanks to a blinding spotlight aimed at the region — due in part to the meteoric rise of Drake and artists like Tory Lanez — many artists with the funds to spare are flooding through the open gate. For EverythingOShauN though, going it alone has allowed for him to build his own sound, free of an overarching drive for U.S. success.