It has long been established by fans that there are two very distinct variations of Sir Robert Bryson Hall II: Album Logic and Mixtape Logic. Hilariously addressed by Rick & Morty in the intro to his last release Bobby Tarantino II, this particular multidimensional overview serves to — more than anything — illustrate the depth of his fanbase.
Chicago has long been a hotbed for genre shifting sounds — from the soulful production of a young Kanye West to the aggressive drill sub-genre that propelled acts like Chief Keef, the late Fredo Santana, Lil Durk, and more. Chi Town’s latest trendsetter Valee has become one of the mainstream’s most duplicated artists — with a catalog of booming soundscapes crafted by 21-year-old producer ChaseTheMoney.
ASouth Central, Los Angeles, native JAG — also known as Chubby JAG — is one of those acts who you hear for the first time and say, “Why haven’t I heard of this guy?” His path has been long and winding; from being brought into the industry by Cassidy — whom he was connected to through his friend, former NBA player Bobby Simmons — to losing his voice for over a year, the journey to his debut LP “Dalton Ave” was something to celebrate.
Eight months after the release of Revival, and without any clever billboards or marketing ploys, Eminem released Kamikaze — a conflicted piece of high-quality hip-hop. At its best, it’s a return to the Slim Shady fans were expecting on his last album. At its worst, it’s punctuated by cringe-inducing lapses of unnecessary shock value.
As Nine prepares to reintroduce himself to the game with his new album King — dropping on September 9 — he’s gifting fans with the LP’s third single “Belafonte” featuring Conway The Machine.