Riley Wallace: Hip-Hop Journalist

About Riley

Riley Wallace is a published, professional writer and hip-hop journalist whose work runs the gambit from real estate writing to hip-hop/urban writing for the legendary XXL Magazine. He’s the founder of AAHIPHOP and is one of the site’s principal writers. He’s interviewed legends like De La Soul, and is always working to expose new talent — and social commentary — with his work. For additional writing samples, or for any business/media, contact him using the form below.

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Curated Writing Feed

El Da Sensei Talks Longevity & “XL” LP With Sadat X

hen it comes to career longevity without selling out the original vision — and ultimately the core integrity — of your brand, no OG rappers have managed to continue rocking shit the way that way Sadat X (a third of Brand Nubian) and El Da Sensei of The Artifacts have. Longtime fixtures on the European scene, the two have been peers for years, but it wasn’t until three years ago that the two decided to bless longtime fans and deep-rooted Hip Hop heads with a joint LP titled XL.

Battle of the Beatmakers Crowns lucyclubhouse Its Youngest-Ever Winner

Producers from around the globe converged on Toronto from November 7 to 11 for the 13th annual Battle of the Beatmakers — a competition that has helped launch the careers of producers such as diamond-selling producer Boi-1da and multiple platinum-selling producer WondaGurl. After two days of primaries, the top 64 faced off in an exciting showdown at the Opera House, hosted by comedian Trixx, on November 10.

EverythingOShauN Wants Success on His Own Terms, and in His Home Country, on ‘Everything Over Everything Else’

Regardless of where your musical tastes lie, you’re likely to find an artist to satisfy your needs in the booming local Toronto scene. Thanks to a blinding spotlight aimed at the region — due in part to the meteoric rise of Drake and artists like Tory Lanez — many artists with the funds to spare are flooding through the open gate. For EverythingOShauN though, going it alone has allowed for him to build his own sound, free of an overarching drive for U.S. success.

Review: Black Eyed Peas Restore Faith In Hip Hop Humanity “Masters Of The Sun Vol. 1”

When it comes to bending your original vision for the purpose of achieving commercial success, none have managed to alienate and bury their past better than the Black Eyed Peas. Telling anyone who hopped on board after the success of their third LP, Elephunk, that their first two albums Behind The Front and Bridging The Gap were drenched in backpack alternative Hip Hop may not resonate. The fact that will.i.am and apl.de.ap were once signed to Eazy-E’s Ruthless Records might even seem downright inconceivable to some of their legacy haters.

Rising Malaysian Star Zamaera Is Poised For Greatness

23-year-old Malaysian MC Zamaera has been slowly bubbling onto many radars as of late. After appearing on a viral installment of Yo! MTV Rap Asia’s Rap Cypher, knocking out her first festival appearance, and dropping a buzzing new single titled “Z vs Z” ahead of the upcoming EP of the same name, she is primed and ready to take things to the next level.

10,000 Hours Part 1: The Art Of Selling Merch

Welcome to the inaugural edition of 10,000 Hours, a different kind of spotlight. Usually associated with psychology writer Malcolm Gladwell, the concept refers to the idea that 10,000 hours of “deliberate practice” are needed to become world-class in any field. In this case, Hip Hop.

Review: Album & Mixtape Logic Go Half On Bar-Filled “Young Sinatra IV”

It has long been established by fans that there are two very distinct variations of Sir Robert Bryson Hall II: Album Logic and Mixtape Logic. Hilariously addressed by Rick & Morty in the intro to his last release Bobby Tarantino II, this particular multidimensional overview serves to — more than anything — illustrate the depth of his fanbase.